Thesis & Writings

  • „Japanese Electroacoustic and Japanese Instruments“ in Electroacoustic Music in East Asia. Contemporary Music Review vol.37 Part 1-2, pp49-66. 2018. Routledge, Taylor&Francis Group. ISHII_Hiromi_CMR2018Vol37-1&2
  • „Conception, Sound and Structuring of Electroacoustic Music:Two Compositions with Satsuma-biwa“ in De Musica Commentarii vol.4, pp85-96. 2013. ISBN 978-83-88392-65-8. Hiromi Ishii_DeMusicaVol４
  • „Oushu kara (From Europe)“, JSSA Japanese Society for Sonic Arts
    http://www.jssa.info/
  • „Composing Visual Music“. 2012, Rome, Conservatorio di Musica S.Cecilia, EMUFest.
  • „Audiovisuelle Komposition: seine Entwicklung, Ästhetik und Kriterien“. 2012, Hannover, Festival „Visionen“.
  • „Audiovisual composition: its development, aesthetics and criteria“. 2012, Catania, Festival DI_Stanze
  • „Aufbruch 1912“, 2012, Cologne, KHM Kunsthochschule für Medien Köln (supported by KGNM Kölner Geselschaft für Neue Musik)
  • „Hiromi Ishii Gespräch Konzert“. 2011, Cologne, Institut für Musikwissenschaft.
  • „Conception, Sound-Processing and Structuring of Electroacoustic Composition“. 2011, Poznan, 8th International Conference „Musica Practica, musica Teoretica“.
  • „Multimedia Visual Music: Analogical processes between images and sounds“. 2010, Beijing, EMSAN-CEMC COLLOQUIUM. (Co-authoring with Wilfried Jentzsch) ISHII&JENTZSCH-EMSAN2010 Published from Sorbonne Univ.
    http://www.omf.paris-sorbonne.fr/Day-28-Octobre-2010
  • „Japanese electronic music denshi-ongaku: Its music and terminology, definition and confusion“. 2008, Paris, Sorbonne Univ. EMS 08.
  • „From Sound Analysis to Sound Synthesis“. 2008, Esbjerg, DigArt Symposium, Aalborg Univ.
  • „Finding Rules in shakuhachi timbre and applying them to structure music: Composition for shakuhachi and live electronics Kaze no Michi (Wind Way)“. 2007, Leicester, DeMontfort Univ., EMS 07. Hiromi Ishii_EMS07
    http://www.ems-network.org
  • „Composing Electroacoustic Music Relating to Traditional Japanese Music“. 2006, PhD Thesis. (British Library)
  • „Das Element der Stille − Zur Transformation traditioneller japanischer Musik durch electronische Kompositionstechniken“ 2005, Essen, Folkwang Univ. International Symposium for Contemporary Japanese Flute Music.
  • “ Globalisation and national identity : a reflection on the Japanese music curriculum”, Globalisation, Society and Education, Vol.3 No.1, Routledge, March 2005. (Co-authoring with Yuri Ishii, Mari Shiobara.)